{"id":267355,"date":"2024-12-20T16:42:46","date_gmt":"2024-12-20T15:42:46","guid":{"rendered":"https:\/\/wwwtest.museodellecivilta.it\/riallestimenti\/eur_asia\/"},"modified":"2024-12-20T17:39:48","modified_gmt":"2024-12-20T16:39:48","slug":"eur_asia","status":"publish","type":"page","link":"https:\/\/www.museodellecivilta.it\/en\/riallestimenti\/eur_asia\/","title":{"rendered":"EUR_Asia"},"content":{"rendered":"<p>With <b><i>EUR_Asia<\/i><\/b>, the Museum of Civilizations inaugurates a <b>new itinerary <\/b>dedicated to the <a href=\"https:\/\/wwwtest.museodellecivilta.it\/collezioni\/arti-e-culture-asiatiche\/\"><b>Collections of Asian Arts and Cultures<\/b><\/a>. The project begins a program of permanent musealization that by 2026, on the ground floor of the Palace of Sciences, will unite the archaeological and artistic collections of the former <b>National Museum of Oriental Art, <\/b>founded in 1957 at the instigation of historian of religions <b>Giuseppe Tucci, <\/b>and the Asian ethnographic collections of the former <b>National Museum of Prehistory and Ethnography, <\/b>founded by archaeologist <b>Luigi Pigorini <\/b>in 1875. <i>EUR_Asia <\/i>began the return these collections to the community and public in 2024 &#8211; the 130th anniversary of the birth of Giuseppe Tucci and the 40th anniversary of his death \u2013 already opening a conduit and sharing the project of permanent musealization during its own making.<\/p>\n<p>Encompassing some <b>200 masterpieces and testimonies<\/b>, organized in <b>five sections<\/b> \u2013 with artifacts, but also archival documents, diagnostic reports, and new artistic <i>productions &#8211; EUR_Asia <\/i>constitutes a <b>museological and methodological reflection <\/b>that reconstructs and brings into perspective the long history of the Asian Arts and Cultures Collections of the Museum of Civilizations.<\/p>\n<p>In <i>EUR_Asia <\/i>&#8211; a play on the words referring to the Eurasian continent and the role of EUR as home of the national museum of world civilizations and cultures \u2013 rather than arranging them according to geographic or chronological criteria, the works are articulated in <b>16 narratives. <\/b>Each of these contributes to analyzing the multiple relationships between <b>materiality and everyday or ritual functions<\/b>, the connection between <b>spatial coordinates and temporal eras, knowledge and beliefs, natural materials, traditions and techniques<\/b>, thus transcending the very concept of limit or boundary to delve instead into the <b>porosity <\/b>and <b>dynamism between cultural subjects<\/b>, <b>historical matrices and artistic and philosophical themes of Asian cultures as a whole.<\/b><\/p>\n<p>Together we traverse all of Asia, encountering its permeable experiences of <b>civilizations, religions, social systems and systems of thought<\/b>, until ultimately evoking the hypothetical contours of &#8220;Eurasia&#8221;: the union between Europe and Asia. At the same time, through <b>encounters and comparisons, exchanges and negotiations, <\/b>we map the multiple and composite histories of the Museum of Civilizations collections. After all, with this museum, Asia begins in EUR &#8211; acronym for the never-inaugurated <i>1942 Universal Exposition of Rome<\/i> &#8211; becoming precisely &#8230; <i>EUR_Asia<\/i>.<\/p>\n<p>The project is introduced by an initial in-depth discussion of the role of <b>restoration <\/b>and <b>scientific research <\/b>(<b><i>Chronicles and Spectra of Restoration<\/i><\/b>) installed in a space connecting the museum&#8217;s daily activities with its audiences. On the first floor, around the monumental staircase, the layout in the porticos is inspired by the structure of Buddhist caves, in particular <b><i>Chaityagrha 26, <\/i><\/b>a sanctuary carved from the living rock of Ajanta (Maharashtra, India). The path is marked out in vitrines housing works divided into 16 cross-cutting narratives of Asian culture and arts. On the right side: <b><i>The color white; Writings and calligraphy; Ceremonial forms of libations: sacred and profane; Royalty: reality and symbolism; Dances, music and self-awareness; The genders of divinity; Hierogamies: cosmic and divine couples; Cosmologies and cosmogonies: images of the world and myths about the birth of the universe. <\/i><\/b>On the left side<b><i>: Overcoming suffering: yoga and contemplative techniques; Death and immortality; Care of the body and spirit; The adorned body: the physical and symbolic body; Female: women, queens, goddesses; The human being and nature; Imaginary bestiaries; Water<\/i><\/b>.<\/p>\n<p>Closing the <i>EUR_Asia<\/i> exhibit route, to the sides of Giulio Rosso&#8217;s historic stained-glass window, is a section dedicated to the <b>future overall reorganization <\/b>of the Asian Arts and Cultures Collections, to be carried out with the support of the strategic <b><i>Great Cultural Heritage Project <\/i><\/b>funded by the <b>Ministry of Culture<\/b>. Here, for the first time, the public can view the architectural drawings for the construction, renovation and upgrading project for the building hosting the <b>largest Italian museum dedicated to Asian arts and cultures<\/b>. Also in this location are some historic cabinets from the original location of the Pigorini Museum, at the Roman College, and artifacts from the original ethnographic collections.<\/p>\n<p>A QR-code leads to a <b>digital brochure<\/b> exploring the project in museographic terms, sharing a series of reflections that examine the supposed distinction between <b>East and West<\/b>: \u201cIs it possible to free our knowledge of a culture from its geographic boundaries \u2013 which in any case are mobile? \u201cFrom within the so-called \u2018West\u2019, can we imagine museum projects and identities dedicated to the so-called \u2018East\u2019 which are somehow no longer based on one-sided narratives?\u201d \u201cIs it possible develop a museum where the sharing of cultures, including the history of collection origins and interpretations, truly results in sharing?\u201d<\/p>\n<p>Finally, <b><i>EUR_Asia <\/i><\/b>also includes an exhibition within an exhibition: an installation by <b>Gala Porras-Kim<\/b><b>,<\/b> a multidisciplinary artist of Colombian-Korean-American origin, completed in conclusion to her two-year experience as a <i>Research Fellow <\/i><b>at the Museum of Civilizations <\/b>and <i>Artist in Residence <\/i>at the <b>Museum of Oriental Art in Turin. <\/b>The audio-video installation brings us into <b>intimate relationships with the objects of the collections and the museum staff who care for them on a daily basis<\/b>. For <b><i>A Recollection Returns with a Soft Touch <\/i><\/b>(playing with the word <i>recollection <\/i>as both &#8220;remembering&#8221; and &#8220;re-collecting&#8221;), the artist asked to film the responsible officers of the former National Museum of Oriental Art as they present some objects to which they feel particularly close, for professional or personal reasons. Leaving only their hands visible and their voices audible, their <b>stories <\/b>are presented in the same kinds of display cases that would usually house these objects, thus giving their <b>memories<\/b>, <b>skills<\/b> and <b>sensibilities <\/b>an alienating subjectivity with respect to the official, seemingly neutral and impartial voice of the museum. These multiple interpretations reveal to us that museum objects are also always subjects, and that understanding the past cannot be an exclusively objective and scientific fact, because <b>each museum collection is a living entity <\/b>with which we can activate <b>sensitive and individual relationships<\/b>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With EUR_Asia, the Museum of Civilizations inaugurates a new itinerary dedicated to the Collections of Asian Arts and Cultures. The project begins a program of permanent musealization that by 2026, on the ground floor of the Palace of Sciences, will unite the archaeological and artistic collections of the former National Museum of Oriental Art, founded [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":267833,"parent":265314,"menu_order":76,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-267355","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>EUR_Asia - MUCIV-Museo delle Civilt\u00e0<\/title>\n<meta name=\"description\" content=\"0\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.museodellecivilta.it\/en\/riallestimenti\/eur_asia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EUR_Asia - MUCIV-Museo delle Civilt\u00e0\" \/>\n<meta property=\"og:description\" content=\"With EUR_Asia, the Museum of Civilizations inaugurates a new itinerary dedicated to the Collections of Asian Arts and Cultures. 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